Because Pizzolatto laid the groundwork, though, it plays more like a clever subversion, both of true crime as a genre and the True Detective franchise as audiences have come to understand it. Such relativism could have come as a disappointment. Isabel took someone elseвЂ™s daughter, but she was also grieving and not acting on her own Edward aided her, but he was also acting out of misguided parental instinct. ItвЂ™s an explanation notable for its lack of villains, or at least the primal, black-and-white kind evoked by a name like the Yellow King. After years of drugged captivity, Julie escaped, eventually dying peacefully at a convent from complications related to HIV. In short: After losing her daughter, Isabel effectively sought a replacement, initially just playing with Julie, but then abducting her after WillвЂ™s accidental death. JuneвЂќ whom Wayne and Roland heard so much about-unloads everything in a thorough information dump, complete with flashbacks. We learn as much later in the episode, when former Hoyt consigliere Junius Watts-the milky-eyed вЂњMr. HeвЂ™s just a father who, in his own twisted way, tried to make his daughter happy and protect her from the consequences. Even when heвЂ™s blackmailing Wayne into burying his case, Edward doesnвЂ™t come across as the puppet master weвЂ™d been led to envision-especially compared to his appearance in last weekвЂ™s episode as a disembodied voice threatening the Hays family from behind tinted windows. Edward Hoyt, the previously faceless symbol of unchecked power, turns out to be a snarling, drunken mess. To that end, вЂњNow Am FoundвЂќ opened with a telling anticlimax. And because the HoytsвЂ™ involvement was obvious, the subject of those revelations would just as likely be Wayne, whose dementia rendered his own history a mystery in and of itself. Even before the finale, it was clear that any revelations would have less to do with the what, how, or who of the central crime than the why. The HoytsвЂ™ reasons for doing so were unclear, but they appeared to involve Isabel, the grieving and potentially disturbed daughter of patriarch Edward. The Hoyt family, the Tysonlike proprietors of a chicken business dominating their small Ozarks town, had used their money and influence to kidnap Julie, pay off her mother, enlist a crooked cop as their accomplice, and silence potential investigations, including WayneвЂ™s. By the penultimate episode, it was fairly clear to attentive viewers what had happened to Julie, the Arkansas child whoвЂ™d been missing since her brother WillвЂ™s apparent murder in 1980. Season 3, by contrast, seemed designed to avoid a similar mismatch between outcome and expectations. Its conclusion left room for improvement. True DetectiveвЂ™s initial popularity was something for its successors to live up to. The reduction of an almost mystical foe to a single creepy killer was not totally satisfying the pivot to RustвЂ™s conversion from nihilism felt like a hairpin turn. After drawing audiences in with a densely woven web of Lovecraft references and beer-can philosophizing, the tale of Rust Cohle and Marty Hart failed to stick the landing, at least in a way that seemed consistent with why viewers were invested in the first place. An underrated one, however, may be obscuring that Season 1, too, had its flaws. Season 2вЂ™s notoriety had many ripple effects, including the delay of the next installment until HBO could be certain of its quality. Spiritually, Season 3 read like an implicit apology for Season 2 and a return to the much more warmly received form of Season 1.Д«ut with Sunday nightвЂ™s finale, the Julie Purcell case revealed itself to be less a retread of True DetectiveвЂ™s debut than a slight overcorrection. It wasnвЂ™t just the recurrence of creepy straw figurines that made some think the two seasons might be connected, with the same cabal of rich and powerful degenerates at their core. After an ill-fated sojourn to California more than three years ago, Pizzolatto had returned to his roots: the rural American South a more streamlined focus on just two protagonists instead of four even a multiple-timeline structure, complete with an interview as framing device. When the third volume of True Detective began this year, the natural impulse was to point out its similarities to the first. Who Done It? Breaking Down the Season Finale of вЂTrue DetectiveвЂ™

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